"...the first piece of Urban Native Fiction I have ever read." by Tim Lane

My daughter dropped by Amazon and left a review of Your Silent Face.

I have copied and pasted it below.

Jackie was a first reader, providing encouragement and straightforward criticism while I worked on the book. Her feedback was huge.

Reviewed in the United States on October 26, 2020

After a year of college, Stuart Page returns home to the senseless violence of the Eastside of Flint, more disenchanted and disoriented than ever before. Stuart’s need to sensationalize every interaction makes for an exhausting but endearing narrator — he’s a Ferris Bueller with none of the self-assurance. Prone to monologing, condescension, and self-aggrandizing, Stuart’s still a protagonist worth hearing out, as his starry-eyed poeticism & bleary-eyed narcotization are what ultimately allow him to grapple with the difficult questions so many of his Eastside peers skate around.

Your Silent Face is an adult coming-of-age story, as violent as it is tender, that tackles the improbability of the building (and preserving) a sense of self in a place that is designed to crush those who can’t or won’t assimilate. It’s a universal story, powerfully told, but key elements of Stuart’s internal struggle (an identity assembled through popular culture references, ever-present feelings of displacement, severed family ties, and the presence of the quizzical character “The Viking”, and more) make this a distinctly Native story; the first piece of Urban Native Fiction I have ever read. I look forward to more from this author and recommend his poetry on similar themes.

—Jackie Lane
— https://www.amazon.com/dp/B08HY7GVLC

*Scroll all the way down for a snippet from the novel.

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Dinner was like a weekday mass. No red cassocks, no incense, no organ music. No miracles, either. Off-key hymns, less reflection, no homily, no forgiveness.

Stacey had set the table with the collectible Burger King Star Wars glasses from 1977.

The girls picked at the stringy roast beef and pushed the caramelized carrots and potatoes around their plates as if the vegetables would disappear if they slowly spread them out.

“Jesus, how rude, tell them to go home,” Stephanie grumbled.

A couple of kids with no home training were waiting on the front porch for Stacey to finish eating.

“Oh, they’re fine. They’re just kids.” My mother: channeling St. Philomena. “Eat your meal. And watch your language.”

Stephanie quickly rolled her eyes before my father could catch it.

I found it interesting how select shit like sending a wet bathing suit down the clothes chute or picking the stewed tomatoes out of the spaghetti sauce was unthinkable in this house but allowing the neighborhood kids to press their gross noses against the screen while we tried to eat dinner in peace was acceptable.

Stacey tried to eat fast without drawing my father’s ire for eating too fast.

“Where’s Darth Vader?” It was Stacey’s favorite glass.

“Stephanie broke it. On purpose!”

“Nunh uh!”

A squabble broke out. For a minute, it appeared that my father was completely oblivious to the bickering, but then he laid down the law with the flat of his hand.

“That’s enough!” The butter knives jumped.

“Burger King should totally do a series of drinking glasses of cool bands, like New Order or The Smiths or Echo & the Bunnymen.”

Stephanie and Stacey responded in unison, “Like, totally, dude! Fer shur.”

They cracked up. It was like they had been rehearsing it for days. Even my parents smiled.

“Echo and the what, dear?”

“A Joy Division glass featuring an iconic image of Ian Curtis at the microphone would actually be very cool,” I thought while my father opened up a dialogue with my mother about recent developments at the union hall, announcing big news. He wasn’t happy. He did not appreciate how he and his fellow plumbers and pipefitters were being managed at the local level. He had always planned on running for office, but not for years to come. There were men with more seniority who needed to retire.

“I’m thinking about entering the election.”

“What would you run for?”

“Business manager.”

“Already? Not treasurer or president first?”

“Gonna swing for the fence.”

The conversation switched to unemployment. My father was seventeenth or eighteenth on the list but work in Flint was scarce. Construction was going to hell in the whole state. And it wouldn’t make too much sense to run for anything other than business manager—the only paid office—if he was trying to avoid hitting the road.

I wondered if the dinner table side bars and late-night conversations about work and unemployment and the union hall gossip swirled around in the girls’ subconscious the same as it lived in mine.

“Did you hear me?” my father asked.

I chomped on a gob of roast beef while staring over his shoulder at a robin framed by the pink blossoms on the crabapple tree in the back yard.

“What?”

“They’re taking applications at Grand Daddy’s. You’ll probably have to go over to the warehouse.”

“Who is?” How did he know these things?

He had caught me daydreaming about The Viking. Once the robin flew off, the petals had reconfigured themselves to form an effigy of his bearded face. Unlike me, The Viking wasn’t under any pressure to look for a summer job. Work was what my father understood. He had started working at the age of twelve at his father’s party store, until it burned down. Or was it the family cabin that had caught fire? Whichever, my father had been smoking cigarettes and working nights and saving money for his first car—on top of going to school—by the age of thirteen.

I assured my father that I would check into these grotesque rumors.

“Tomorrow morning. Bright and early.”

I nodded.

I wondered how I could get in touch with Burger King about a series of New Wave and punk rock collectible glasses.

The number of kids swarming out front had grown.

I stood up.

“Stuart, is there somebody here? You haven’t finished eating!” My mother had a tone which always awoke in me a feeling akin to the nagging persistence of a car alarm.

“I forgot to wash my hands,” I lied.

I studied my face in the mirror in the downstairs bathroom, ran cold water in the sink, lathered, rinsed, lathered, rinsed, dried my hands, straightened the towels, rifled through the contents of the Reader’s Digest.

Passing through the laundry room, I noticed that there weren’t any dirty clothes beneath the chute.

Not one pile.

Nada.

No wasted moments during the day. When my father was laid off, he adopted all of our chores but continued to hold us accountable.

Work was what he knew.

“He’s preparing to leave,” I thought. “He’s hitting the road. He’s gotta get back to work.”

It was a lose-lose situation when he was laid off, but it was not his fault.

Carefully, as if it were a gang initiation and I had been forced to break into a house full of sleeping people, I stole down into the cool particle-swirling darkness of the basement. That was, at least, how the light, or lack of it, appeared to me; all of it crumbling.

The basement was directly beneath the dining room. I cocked my ear toward the nail-studded planks, but I couldn’t make out any conversation.

Joy N Shit by Tim Lane

Unfriended, 2011, acrylic & crayon on canvas, 21”x21”x3.5” now has a permanent home. I am thankful for the support. Joy-Shit. Life.

Several years after beginning this series, I thought about the sentiment of these paintings after, during a snow storm, a semi crashed into my family’s car on I-69 and then fell on top of it. Everyone escaped unscathed. It was nothing short of a miracle. Every emergency response lead at the scene took a moment to check on us and say so. The had seen a lot in their time.

The expressway was shut down for many hours. We had to remain on the scene for two hours due to the snow.

It made me wonder if the kind of energy we emit invites outcomes. I thought about my theme: Joy/Shit. I didn’t really come to any firm conclusions, but I think I tried to make a half turn in my normal stance and face more joy after that event.

Unfriended, 2011

Unfriended, 2011

New Colors! by Tim Lane

Okay, hey, it’s been a long time since I have ordered new paints. So, yeah, I’m totally geeking out about this! But what artist doesn’t get excited about new paints? And new colors, too!

Acrylics

Utrecht: Light Pink, Light Portrait Pink, Light Blue

Golden: Titan Mars Pale, Light Orange

Atelier: Naples Yellow Reddish

Blick: Light Portrait Pink

Acrylic Gouache

Liquitex: Peach

Oil Paintsticks

Shiva: Medium Pink, Peach

IMG_4458.jpg

I Saw You There, Just Standing There by Tim Lane

Shopping made easy for all of your digital devices: Apple Books, Amazon Kindle Shop, or directly from yoursilentface.com.

Would love some honest star ratings, reviews and/or comments on Apple, Amazon, or Good Reads. If you didn’t enjoy YSF, that’s fine. Let me hear about it.

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portrait of the artist as a young man

portrait of the artist as a young man

I'll Have 2 Playlists & 1 Coming of Age Novel to Go, Please by Tim Lane

Cool 80s post punk playlists here, including the companion playlist to my novel, Your Silent Face.

Here’s a link to the page at this website where you can purchase a PDF or EPUB file of Your Silent Face for all of your PC or Apple devices.

Tim with tenspeed copy.jpg

What Is Your Silent Face? by Tim Lane

Your Silent Face is my self-published coming of age novel which is set in the Midwest in the mid 80s. Available on all digital platforms: Kindle, Apple Book Store, and yoursilentface.com content link below.

Key words: 80s music, New Wave, Gen X, Rust Belt, Native American, graffiti, urban poetry, Flint.

What lies ahead that doesn’t suck? Summer break forces Stuart Page to return home and wrestle with his fraying ties to the East Side of Flint, his memory an archive of cassettes he would like to erase. His freshman year of college was lame. More early Cure than Spandau Ballet, he might be overheard saying. More Gary Numan than Falco.

Flustered by visits from a stoic viking, fueled by an endless supply of beer, Stu picks apart an obsession with the lead singer of Joy Division and chugs the sour dregs of insecurity as he drunkenly veers through Flint’s blue collar fight culture, summer hook ups, the aftereffects of Old School Catholicism and Reaganomics in Your Silent Face.

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I try to discover A little something to make me sweeter Oh baby refrain from breaking my heart I'm so in love with you I'll be forever blue That you gimme no reason Why you make-a-me work so hard—Erasure

I try to discover
A little something to make me sweeter
Oh baby refrain from breaking my heart
I'm so in love with you
I'll be forever blue
That you gimme no reason
Why you make-a-me work so hard

—Erasure

The Multiverse by Tim Lane

New painting! Part of The Sublime series. Visit the galleries.

The Multiverse, 24”x18”

The Multiverse, 24”x18”

Okay, Fine, Fer Shur, Fer Shur by Tim Lane

A couple friends have been having fun with the cast of characters in my novel, Your Silent Face. Here’s their casting call for an 80s film version!

Stuart: John Cusack

The Viking: Val Kilmer

Nigel: Tim Roth or Matthew Modine

Karen: Molly Ringwald

Brenda: Susan Sarandon

Susan: Ione Skye

Cammie:

Phil: Timothy Hutton

J Dog: Emilio Estevez

James: Nicholas Cage

Gina:

Pam:

David: James Spader

Uncle Charles: Harry Dean Staunton

Lou:

Stuart’s Parents: Jack Nicholson & Cher

Grandpa Norcross:

Valley Girl, 1983

Valley Girl, 1983

Your Silent Face is also available at the Amazon Kindle Shop and the Apple Book Store. Follow the companion playlist on Spotify.