Terror in Time, 2021 by Tim Lane

Terror in Time is a new addition to The Sublime series. Another piece on 300lb. Stonehenge Aqua paper. This paper is perfect for wet or dry media.

I continue to think about the irony of living in a wondrous and horrendous time. I continue to think about what the future will depend upon more—an inward or outward exploration of reality and the universe?

I was also thinking about the visuals in the sci fi film, Annihilation, while making this painting.

Terror in Time, 2021

Terror in Time, 2021

Get it on Apple Books

Gen X Is Here; Kate Winslet Is Faboo; Kraft Singles Are Not Fine Cheese; Space Age Love Song by Tim Lane

You know your generation is calling some of the shots when the bar scenes and commercials and sound bytes are songs from your formative years. Not necessarily controlling the wealth yet, but at least responsible for a lot of the creative content we are inundated with on a daily and nightly basis as we recline in front of our blue screens, bathed in light, trying to forget what a shitty day we had.

I love that in Mare of Easttown, season 1, episode 3, A Flock of Seagulls is playing in the bar scene. It was beautiful and weird. For a minute, I was listening to MTV; I was at the Hot Rock Cafe, or Rubes, or that one basement bar that changed names several times.

I also love Kate Winslet. Although she is a young GenXer, she is one of us. She’s a pretty fab actor person. And she continues to prove this in Mare of Easttown—although obviously she doesn’t need to prove anything to anyone.

And just what about A Flock of Seagulls? Those dudes were so far ahead of their time. They had a vision of the future. Hearing them reminds me of this girl from Swartz Creek that I met at a dance. She had an internship at AC, over on my East Side, so there was the potential of possibly getting to know her. We danced to A Flock of Seagulls and one or two other New Wave hits one night. She was attracted to an acquaintance of mine, but I had the impression that he wasn’t that interested. She dressed and styled her hair like she was right out of the video for “I Ran.” I was smitten. We talked on the phone a few times. One time about cheese. She was a cheese connoisseur. I was into Kraft Singles. She corrected my ass.

But nothing happened. We didn’t date. We didn’t find ourselves at another dance. She talked about stopping by after work, but never did. It was probably because of my uncouth love of bad cheese. It’s amazing. I can still see her in my mind. She had these beautiful braces. I was a fool.

But it all worked out.

A Wake with Nine Shades & The Long 1980s by Tim Lane

Jen Sperry's A Wake with Nine Shades arrived in my mailbox this morning. The Long 1980s: Constellations of Art, Politics and Identities, A Collection of Microhistories did, too. I am, as of this moment, suppressing the exclamation points. But I want to be using a lot of exclamation points!

More to come after I delve into Jen Sperry’s poems and these microhistories of the 80s.

This description of A Wake with Nine Shades is copied straight from Jen’s Amazon page…

A Wake with Nine Shades is an exploration of grief and culpability, a Dantean descent through contemporary midlife crisis. Populated by ghosts and children, lovers and amputations, bodies of water, insomnia, debt and domestic violence, Steinorth measures what is broken against the white space of the page, paying homage to the Great Lakes and snowscapes her poems inhabit and the vacancies, denials, and drains they circle. Formally inventive and musically obsessive, the book’s unconventional formal construction and lyric wit contribute what Eleanor Wilner deems the essential “Lightness” described by Italo Calvino, noting Steinorth’s “ability to treat weighty subjects with a mastery of style . . . a liveliness of imagination and intelligence that lightens, without denial, what would otherwise be unbearable. . . .”

Jennifer Sperry Steinorth

Jennifer Sperry Steinorth

A Wake with Nine Shades: Poems
By Steinorth, Jennifer Sperry
The Long 1980s speculates on the significance of the 1980s for the arts and society today. Arguing that the 1980s saw a fundamental reorientation in the relationship between governments and their publics, this volume explores how the effects of this…

The Long 1980s speculates on the significance of the 1980s for the arts and society today. Arguing that the 1980s saw a fundamental reorientation in the relationship between governments and their publics, this volume explores how the effects of this shift have shaped our contemporary condition.

Looking back at texts and artworks produced at the time, The Long 1980s puts this pivotal decade in context, exploring how it continues to shape the imaginative landscape of the 21st century.

Contributors include Henry Andersen, Hakim Bey, Rosi Braidotti, Boris Buden, Jesús Carrillo, Luc Deleu, Diedrich Diederichsen, Charles Esche, Marcelo Expósito, Annie Fletcher, Diana Franssen, June Givanni, Lisa Godson, Lubaina Himid, Lola Hinojosa, Antony Hudek, Tea Hvala, Gal Kirn, Anders Kreuger, Elisabeth Lebovici, Rogelio López Cuenca, Geert Lovink, Amna Malik, Pablo Martínez, Lourdes Méndez, Marta Popivoda, Carlos Prieto del Campo and Pedro G. Romero.

Friday's Feature: A Reflection from the Collapse of the Housing Market by Tim Lane

These prints have been waiting to go back up on the wall since 2017 when our house flooded. Finally, they are back where I can see them on the daily.

This series of photos has a title: People Enacting the Behaviors of Urban Animals. This work was made after the housing market bubble burst in 2008 and so many people found themselves in dire straits.

These prints can be bought separately or as a group in the shop.

Line of Fire, a New Playlist by Tim Lane

Playlist as application. Playlist as antidote. Playlist as the question. Playlist as the moon walk. Playlist as the inside joke. Playlist as a shiny object. Playlist as morning ritual. Playlist as cross section. Playlist as treasure map. Playlist as life preserver. Playlist as an apology. Playlist as the equation. Playlist as the connection. Playlist as milkshake…you get the idea.

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#thechemicalbrothers #madonna #gheist #joydivision #suzannevega #fleetfoxes #junip

Never Take Us Alive, a New Playlist by Tim Lane

The playlist as an expansion of space. The playlist as leaf in a dining room table. The playlist as an extension of tunnel. The playlist as bookmark hidden in a PDF. The playlist as a universe running parallel to a universe running parallel to yours. The playlist as something that never happened. The playlist as ghost feeling. The playlist as a contemporary art form. The playlist as stylus. The playlist as escapism. The playlist as foundation. The playlist as a proof. The playlist as wish list. The playlist as past time. The playlist as turf wars. The playlist as scrapbook. The playlist as outline. The playlist as an alternative to biting your fingernails or flailing the skin on the sides of your thumbs. The playlist as a beige veil. The playlist as guest room. The playlist as intuition. The playlist as a family of raccoons living in your garage. The playlist as your humble opinion. The playlist as an algorithm. The playlist as a set of specific parameters. The playlist as your time-worn excuse…you get the idea.

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A Return to Exhibitions? by Tim Lane

I am hoping that the second half of 2021 might mean a return to exhibitions and galley shows. I obviously haven’t had a show since 2019. I don’t have anything lined up yet, but we shall see.

Here is a link to my exhibition history.

 
 
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Leaving the Children Behind, 2021 by Tim Lane

Recently, my son said to me, “I’ll probably never have to take my kids to Disney. We’ll be able to experience it right in our living room.” I’m not really sure how I feel about this.

New painting.

Check out the gallery for more info.

Check out the gallery for more info.